Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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LOO, Carle van
Aeneas Carrying Anchises sg

ID: 07993

LOO, Carle van Aeneas Carrying Anchises sg
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LOO, Carle van Aeneas Carrying Anchises sg


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LOO, Carle van

French painter (b. 1705, Nice, d. 1765, Paris).   Related Paintings of LOO, Carle van :. | Une Sultane Prenant le cafe que lui presente une negresse (mk32) | Aeneas Carrying Anchises sg | The Arts in Supplication | Halt During the Hunt | The Grand Turk Giving a Concert to his Mistress |
Related Artists:
Leon Wyczolkowski
1852-1936 was one of the leading painters of the Young Poland movement, as well as the principal representative of Realism in Polish art of the period. Born 1852 in Huta Miastowska near Siedlce, Wyczełkowski died 1936 in Warsaw.
Vecchietta
Italian Early Renaissance Painter and Sculptor, ca.1410-1480 Italian painter, sculptor, goldsmith and architect. He was formerly believed to have been born c. 1412 in the Tuscan town of Castiglione d'Orcia, but del Bravo has identified him with the Lorenzo di Pietro di Giovanni who was baptized in Siena in 1410. His name appears in a list of the members of the Siena painters' guild in 1428. From the evidence of later works he is generally supposed to have been apprenticed to Sassetta, but his early work has not been identified. Between c. 1435 and 1439 he executed for Cardinal Branda Castiglione (1350-1443) a series of frescoes at Castiglione Olona, near Varese in Lombardy. He has been considered an assistant of MASOLINO DA PANICALE in this enterprise, but the scenes of the martyrdoms of SS Lawrence and Stephen in the apse of the Collegiata, below Masolino's vault frescoes, show that Vecchietta's closely packed compositional style was already fully formed. He also painted the frescoes (partially published by Bertelli) in the chapel of the Cardinal's palace in the town, depicting the Evangelists (vault) and friezes of male and female saints (side walls). Although abraded and fragmentary, they nevertheless indicate the naturalistic effects of atmospheric lighting and foreshortening that, more than any other Sienese painter of his day, he had learnt from Masolino and the Florentine painters.
Georg Volmar
Swiss, 1770-1831






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